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HOPPEL POPPEL TART
Servings: 8 servings

1/3 butter pastry dough
1 1/2 cup coarsely onions, chopped
1 egg white, lightly beaten
1/2 tsp salt
1/4 lb bulk breakfast sausage
1/4 tsp black pepper, ground
2 tbl safflower oil
1/4 cup fresh dill, chopped
4 cup red bliss potatoes, cut in
1/4 cup mayonnaise (or creamy salad)
-1/2-inch cubes
-dressing
(1 1/4 pounds)
1 tbl parsley, chopped

Directions: preheat oven to 400 f. on lightly floured surface roll dough to a 14-inch round. transfer to an 11-inch tart pan with removable bottom. trim edges; prick bottom with tines of fork. line pastry shell with alumnum foil; fill with pastry weights, dried beans, or raw rice. bake 15 minutes. remove foil and weights. bake 5 to 6 minutes longer or just until pastry starts to turn golden. brush with egg white; bake 1 minute longer. cool completely on wire rack. in large skillet, heat oil over medium heat. add sausage and mash with fork to crumble into small pieces. add potatoes, onion, salt, and pepper. cook until potatoes are fork tender, stirring frequently, about 20 minutes. cool to room temperature. reduce oven temperature to 350 f. stir dill and mayonnaise into potato mixture; spoon into tart shell. bake 30 minutes or until heated through. cool 10 minutes on wire rack before removing outer ring. sprinkle with parsley. serve warm. makes 8 servings. [ 1001 home ideas magazine; june 1990 ]
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The poems "The Passionate Shepherd to His Love" (Marlowe), "The Nymph's Reply to the Shepherd" (Raleigh), and "Song" (Lewis ) all focus on the same basic plot and characters but vary considerably in point of view and theme. This difference comes primarily through the difference in the poems' speakers. A poor shepherd is the voice of both "The Passionate Shepherd to His Love," and "Song." However, the shepherds of the two poems feature almost opposite attitudes.
The shepherd in "The Passionate Shepherd to His Love," the original poem of the series, is a romantic idealist who paints beautiful pictures for the girl he loves of "beds of roses" and riches. In contrast, the shepherd in "Song" seems almost pessimistic. He too paints a picture for the girl he loves, but his is of hardship, toil, and bitterness, not beauty and love. This difference in attitude completely changes the light in which each of the poems is viewed. Because of the light-hearted, romantic tones of "The Passionate Shepherd to His Love," the reader experiences a similar dreamy, faraway mood. The reader of "Song", however, feels only sadness and perhaps longing for a world of greater possibilities than the grim one the speaker describes in the poem.
The speaker of "The Nymph's Reply to the Shepherd" shines yet another light on the general plot of the poems. In this poem, we see a possible reply of the woman to the original "Passionate Shepherd" in the Christopher Marlowe poem. Unimpressed by the shepherds extravagant promises, she practically answers that such material things will fade and the only things valuable are the passionate and pure feelings of love in youth. If her shepherd could make these last, she might be moved to be his love. This poem evokes in the reader both feelings of romance (the nymph does seem as though she may care about the eloquent shepherd and want to be his love) and those of sadness (the nymph seems to want something more than what the shepherd may be able to offer her).
These three separate speakers, whose attitudes and characters are revealed through their response to the standard plot of the poem (the shepherd requesting the love of a lady), pass on their respective attitudes to the reader of the poems. In Marlowe's original piece, it is romance, in Raleigh's response it is a bittersweet thoughtfulness, and in Lewis's almost satirical rendition, it is despair. Whatever the attitude, though, the speaker of the poem remains crucial to the feelings the reader takes away from the poem.






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